seminar: On-demand Virtual Research Environments: a case study from the Humanities

seminar: On-demand Virtual Research Environments: a case study from the Humanities

**Digital Classicist & Institute of Classical Studies Seminar 2010**

Friday July 23rd at 16:30
STB9 (Stewart House), Senate House, Malet Street, London, WC1E 7HU

Mike Priddy (King’s College London)
‘On-demand Virtual Research Environments: a case study from the Humanities’

**ALL WELCOME**

Virtual Research Environments are often highly specialised concentrating efforts around a single collection. The gMan project aims to demonstrate cross-collection discovery, annotation, reporting & management in an on-demand VRE (using gCube) with three heterogeneous classical collections: The Heidelberger Gesamtverzeichnis (HGV), Projet Volterra & The Inscriptions of Aphrodisias (IAph).

The seminar will be followed by wine and refreshments.

For the full programme see:
http://www.digitalclassicist.org/wip/wip2010.html

Posted by: Simon Mahony (simon.mahony@kcl.ac.uk).

Call for Papers: Marco Manuscript Workshop, University of Tennessee, February 4-5, 2011

Marco Manuscript Workshop: “Editions and E-ditions: New Media and Old Texts”
February 4–5, 2011
The Marco Institute for Medieval and Renaissance Studies
University of Tennessee, Knoxville

The Fifth Marco Manuscript Workshop will be held Friday and Saturday, February 4 and 5, 2011, at the University of Tennessee in Knoxville; the workshop is organized by Professors Maura K. Lafferty (Classics) and Roy M. Liuzza (English).

In this year’s workshop we hope to consider how the tools we use to study texts have shaped, and continue to shape, our practice of editing. Do the editorial principles we adopt arise from the reality of medieval texts, or do they construct that reality? Does our choice of one convention of presentation over another predispose us and our readers to certain kinds of interpretations? Are concepts like ‘variant’, ‘apparatus’, even ‘text’, a reflection of the material we study, or the social history of printed editions?

Meanwhile, changing technology for presenting and organizing texts and images make it seem that the most venerable principles might suddenly be negotiable and the most basic conventions unnecessary; whatever can be imagined can be achieved. But do new tools for studying manuscripts require new rules for reading and making editions? What are the new principles and conventions used to create electronic editions? And if these new tools free us from the constraints of traditional printed text, do they impose other constraints not yet apparent to us? We welcome presentations on any aspect of this topic, broadly imagined.

The workshop is open to scholars and students at any rank and in any field who are engaged in textual editing, manuscript studies, or epigraphy. Individual 75-minute sessions will be devoted to each project; participants will be asked to introduce their text and its context, discuss their approach to working with their material, and exchange ideas and information with other participants. As in previous years, the workshop is intended to be more a class than a conference; participants are encouraged to share new discoveries and unfinished work, to discuss both their successes and frustrations, to offer both practical advice and theoretical insights, and to work together towards developing better professional skills for textual and codicological work. We particularly invite the presentation of works in progress, unusual manuscript problems, practical difficulties, and new or experimental models for studying or representing manuscript texts. Presenters will receive a stipend of $500 for their participation.

The deadline for applications is October 1, 2010. Applicants are asked to submit a current CV and a two-page letter describing their project to Roy M. Liuzza, preferably via email to rliuzza@utk.edu, or by mail to the Department of English, University of Tennessee, 301 McClung Tower, Knoxville, TN 37996-0430.

The workshop is also open at no cost to scholars and students who do not wish to present their own work but are interested in sharing a lively weekend of discussion and ideas about manuscript studies. Further details will be available online later in the year; meanwhile please contact Roy Liuzza for more information.

[The Marco Manuscript Workshop is sponsored by the Marco Institute for Medieval and Renaissance Studies at the University of Tennessee, with support from the Hodges Better English Fund and the Office of Research in the College of Arts and Sciences.]

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

Music Encoding Initiative Council announces the release of MEI

The Music Encoding Initiative Council announces the release of MEI 2010-05 – a groundbreaking digital musical notation model.

The MEI Council is pleased to announce the first collaboratively-designed method for encoding the intellectual and physical characteristics of music notation documents and their scholarly editorial apparatus. MEI has the ability to manage complex source situations and will dramatically improve the search, retrieval and display of notated music online, benefiting music scholars and performers. Because of MEI’s software independence, the data format defined by the schema also serves an archival function.

The MEI model is free and available for download at http://music-encoding.org/. The site also offers tutorials, examples, and experimental software for MEI conversion – more will be available in the near future. Information about the future of the project and how to get involved are also on the site.

The MEI Council is an international group of scholars, technologists, and educators representing a broad range of musicological, theoretical, and pedagogical interests. The Council was created through funding to the University of Virginia Library and the University of Paderborn from the Deutsche Forschungsgemeinschaft (German Research Foundation) and the National Endowment for the Humanities.

About the University of Virginia
With 14 physical locations as well as the original Rotunda, the U.Va. Library contains more than 5 million books, 17 million manuscripts, rare books and archives, and rapidly growing digital collections. The Library is a leader in developing collections, tools, and collaborations that foster scholarship at the University and worldwide. It is known, in particular, for its strength in American history and literature and its innovation in digital technologies. The MEI project is a continuation of work begun in 2000 at U.Va.

About the University of Paderborn
The University of Paderborn has a special focus on Computer Science, exemplified by its Heinz-Nixdorf Institute. Together with the Hochschule für Musik in Detmold, the University conducts the Seminar for Musicology where, in 2004 and in cooperation with the Carl Maria von Weber Complete-Edition project, preliminary work was performed regarding digital critical editions of music. Its “Edirom” project (also DFG-funded) has been developing platform- independent solutions for musical editions since 2006.

About the granting agencies
The Deutsche Forschungsgemeinschaft is the central, self-governing research funding organization, serving all branches of science and the humanities by funding research at universities and other publicly financed research institutions in Germany and facilitating cooperation among investigators.

The National Endowment for the Humanities is an independent grant-making agency of the United States government dedicated to supporting research, education, preservation, and public programs in the humanities.

Any views, finding, conclusions, or recommendations expressed in this program do not necessarily reflect those of the National Endowment for the Humanities or the Deutsche Forschungsgemeinschaft.

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

Burghart, Cummings, Ginther, Kato elected to Digital Medievalist Board

The results of the Digital Medievalist election have been tallied. It is our great pleasure to announce that the following have been elected to the Board for a two-year term:

  • Marjorie Burghart,
  • James Cummings,
  • James Ginther,
  • Takako Kato

The Digital Medievalist Board would like to thank all candidates who allowed their names to stand for election. The slate this year was extremely strong and votes were cast by over 10% of the Digital Medievalist membership. Most of the decisions were one or two votes at most.

Posted by: Daniel O’Donnell and Peter Stokes (daniel.odonnell@uleth.ca).

DM Lunch at DH2010, July 7

An announcement for digital medievalists who will be at DH2010, or in London on July 7 2010.

Peter Stokes has reserved a table for Digital Medievalist at the Edgar Wallace (a link to google maps is appended below) at 11:30 am on Wednesday, July 7. I’ll be by the DH registration tables from 11: 15 until 11:25 (the Edgar Wallace is just around the corner). I’ll be the one with the baby.

I’ve already received word from several people who intend to come. If you’d like to add your name please contact me (dot.porter@gmail.com ), but if you find yourself available on the day please feel free to stop by the Edgar Wallace and look for us. I expect we’ll be there for a while.

See you there!

Dot Porter

Posted by: Dot Porter (dot.porter@gmail.com).