CFP: Digital Humanities 2010

We are pleased to announce the Call for Papers for the Digital Humanities 2010 Conference.

Alliance of Digital Humanities Organizations
Digital Humanities 2010
Call for Papers
Abstract Deadline: Oct. 31, 2009

Proposals must be submitted electronically using the system which will be available at the conference web site from October 8th. Presentations may be any of the following:

• Single papers (abstract max of 1500 words)
• Multiple paper sessions (overview max of 500 words)
• Posters (abstract max of 1500 words)

Call for Papers Announcement

The International Programme Committee invites submissions of abstracts of between 750 and 1500 words on any aspect of humanities computing, broadly defined to encompass the common ground between information technology and problems in humanities research and teaching. We welcome submissions in all areas of the humanities, particularly interdisciplinary work. We especially encourage submissions on the current state of the art in humanities computing, and on recent developments.

Suitable subjects for proposals include, for example,

  • text analysis, corpora, language processing, language learning
  • IT in librarianship and documentation
  • computer-based research in cultural and historical studies
  • computing applications for the arts, architecture and music
  • research issues such as: information design and modelling; the cultural impact of the new media
  • the role of digital humanities in academic curricula

The special theme of the 2010 conference is cultural heritage old and new.

The range of topics covered is reflected in the journals of the associations: Literary and Linguistic Computing (LLC), Oxford University Press, and the Digital Humanities Quarterly, http://www.digitalhumanities.org/dhq/.

The deadline for submitting paper, session and poster proposals to the Programme Committee is Oct. 31th, 2009. All submissions will be refereed. Presenters will be notified of acceptance February 24, 2010.
The electronic submission form will be available at the conference site from October 8th, 2009 (which will be linked from http://www.cch.kcl.ac.uk/dh2010/papers/call.html).

Anyone who has previously used the ConfTool system to submit proposals or reviews or to register for a Digital Humanities conference should use their existing account rather than setting up a new one.

If anyone has forgotten their user name and/or password please contact dh2010 at digitalhumanities.org.

See below for full details on submitting proposals.

Proposals for (non-refereed, or vendor) demos and for pre-conference tutorials and workshops should be made to the local conference organizer as early as possible.

For more information on the conference in general please visit the DH2010 web site. http://www.cch.kcl.ac.uk/dh2010/.

Types of Proposals

Proposals to the Programme Committee may be of three types: (1) papers, (2) poster presentations and/or software demonstrations, and (3) sessions (either three-paper or panel sessions). The type of submission must be specified in the proposal.

Papers and posters may be given in English, French, German, Italian or Spanish.

1) Papers
Proposals for papers (750-1500 words) should describe original, unpublished work: preferably completed research with substantial results, but also the development of significant new methodologies, or rigorous theoretical or critical discussions. Individual papers have 20 min. for presentation and 10 for questions.

Proposals concerning new computing methodologies should show how the methodologies are applied to humanities research, and should critically assess the application. Those concerning a particular application should compare earlier traditional and computational approaches and should also assess the new methodologies. References are naturally required. Those describing the creation or use of digital resources should follow these guidelines as far as possible.

2) Poster Presentations and Software Demonstrations
Poster sessions showcase some of the most important and innovative work being done in humanities computing. Poster presentations may include technology and project demonstrations. Hence the term poster/demo to refer to different possible combinations of printed and computer based presentations. There should be no difference in quality between poster/demo presentations and papers, and the format for proposals is the same for both. The same academic standards also apply, but posters/demos may be more suitable way for late-breaking work, or work in progress. Both will be submitted to the same refereeing process. The choice between the two modes of presentation (poster/demo or paper) should depend on the most effective and informative way of communicating the scientific content of the proposal.

Poster presentations are less formal and more interactive than talks. Poster presenters can present their work and exchange ideas one-on-one and in detail with those most deeply interested. Presenters will have about two square meters of board space for display and may also wish to provide handouts. Posters remain on display throughout the conference, and are the sole focus of separate dedicated poster sessions. Additional times may be available for software or project
demonstrations.

As an acknowledgement of the special contribution of the posters to the conference, the Programme Committee will award a prize for the best poster.

3) Sessions
Sessions (90 minutes) take the form of either:

Three papers. The proposal should include a 500-word statement describing the session topic, include abstracts of 750-1500 words for each paper, and indicate that each author is willing to participate in the session. All speakers are required to register for the conference and to participate in the session. Focused sessions should have added value when compared to the set of the individual papers.

or

A panel of four to six speakers. The proposal is an abstract of 750-1500 words describing the panel topic, how discussion will be organized, the names and affiliations of all the speakers, and an indication that each speaker is willing to participate in the session. All speakers are required to register for the conference and to participate in the session.

International Programme Committee

Elisabeth Burr
Richard Cunningham
Jan-Christoph Meister
Elli Mylonas
Brent Nelson
John Nerbonne (Chair)
Bethany Noviskie
Jan Rybicki
John Walsh


Digital Humanities 2010
https://secure.digitalhumanities.org/

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

Job: Assistant Director


September 30th, 2009

The Maryland Institute for Technology in the Humanities (MITH) is seeking to hire an Assistant Director to join our management team, which currently consists of Neil Fraistat, Matt Kirschenbaum, and Doug Reside.

Made possible by a major Challenge Grant from the National Endowment for the Humanities, the Maryland Institute for Technology in the Humanities (MITH) is a collaboration of the University of Maryland’s College of Arts and Humanities, Libraries, and Office of Information Technology. In the ten years since its founding, MITH has become internationally recognized as one of the leading digital humanities centers in the world. As the host of the 2009 Digital Humanities conference and the co-organizer of centerNet (an international network of similar centers), MITH is one of the centers at the heart of the now burgeoning international field of digital humanities.

MITH is generously supported by the University administration and enjoys productive collaborations with allied campus units, including the University Libraries, the College of Information Science, and the Human Computer Interaction Lab. Geographically situated within the Washington DC Beltway, MITH is perfectly positioned for its frequent collaborations with the world-class libraries, museums, and cultural institutions in the metropolitan area, but our partnerships have also extended around the world. Recent projects include a collaboration with several major libraries in the U.K. and the United States to create an online archive of all extant pre-1642 quartos of Shakespeare’s plays and participation on a national research team charged by the Library of Congress with the preservation of virtual worlds (e.g. Adventure, DOOM, and Second Life). This latter project is part of MITH’s larger focus on the preservation of born digital creative work, also represented by our hosting of the Electronic Literature Organization and the Deena Larsen Collection–one of the world’s largest publicly held collections of electronic literature.

The Assistant Director will bear primary responsibility for project management and oversight of all MITH projects, including creation of deadlines for all deliverables and project tracking; the supervision of MITH’s development team, that includes programmers, web designers, graduate assistants, and interns; and computer programming services, data, and application architecture design and modeling for MITH projects. We are therefore seeking a web programmer experienced with web scripting languages (JavaScript, PHP, Ruby) and with some knowledge of compiled languages (Java, C++). Ability to work with Unix/Linux based applications is required, and preference will be given to candidates with database and XML expertise. Strong organizational and project management skills are also mandatory, as are excellent communication skills. A humanities background is especially desirable. Bachelor’s degree required; MA, MLS, or Ph.D. preferred.

The Assistant Director is a full-time, 12-month staff position at the University. Salary is commensurate with experience, ranging from $51,304-$64,131. The University also offers a competitive benefits package. To apply, please send a letter of application, CV, and contact information for three references to Doug Reside, Search Chair, via email: dreside@umd.edu. For best consideration, apply by close of business on October 9, 2009. The University of Maryland actively subscribes to a policy of equal employment opportunity and will not discriminate against any employee or applicant because of race, age, gender, color, sexual orientation, physical or mental disability, religion, national origin, or political affiliation. Women and Minorities are strongly encouraged to apply.

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

Digital Middle Ages conference June 16-17 2010

Call for papers:

THIRD INTERNATIONAL MARGOT CONFERENCE
THE DIGITAL MIDDLE AGES:
TEACHING AND RESEARCH
JUNE 16-17, 2010
BARNARD COLLEGE, COLUMBIA UNIVERSITY
NEW YORK, USA

Note that the proposed subjects include in particular:
– Digital palaeography
– Encoding of medieval manuscripts

D.M.

— Denis MUZERELLE
Resp. de la section “Paléographie latine”
Institut de recherche et d’histoire des textes (CNRS) 40, av. d’Iéna, F-75116 Paris

[See http://www.digitalmedievalist.org/news/2009/06/24/third-international-margot-conference-the-digital-middle-ages-in-teaching-and-research/ for more details.]

TEI meeting in Oslo Oct. 3, 2009

The TEI consortium and the University of Oslo (IKOS) are pleased to announce an informal meeting of TEI users with officers from the TEI consortium in the context of the conference

Early Chan Buddhist Manuscripts among the Dunhuang Findings,
Resources in the Mark-up and Digitization of Historical Texts

held at Oslo University from Sep. 28 to Oct. 3, 2009 (more information available at http://folk.uio.no/christoa/ZenManus_Front.html).

Place: Oslo University (Georg Svedrup Library, Room TBA)
Date: Oct. 3, 2009
Time: 13:00 to 17:00

Current and previous members of the TEI Council and Board, including Chair of the Board Dan O’Donnell, Tone Merete Bruvik and Christian Wittern will be present.

The main purpose of the meeting is to learn more about the use of TEI in Norway and exchange information about the TEI, as well as give an opportunity to discuss issues related to text encoding, for example (but in no way limited to) the encoding of Chinese manuscripts in light of the problems discussed at the conference or in fact any other topic the participants of this meeting would like to discuss.

For updated information about the meeting, including the meeting room,
please visit http://folk.uio.no/christoa/ZenManus_Front.html or write to me.

Christian Wittern


Christian Wittern
Institute for Research in Humanities, Kyoto University
47 Higashiogura-cho, Kitashirakawa, Sakyo-ku, Kyoto 606-8265, JAPAN

Holinshed’s Chronicles

Subject: Holinshed’s Chronicles
From: Ian Archer

Dear colleagues,

I am pleased to announce a new freely available resource for all
those interested in historical writing (and much else besides) in
the early modern period: Holinshed’s Chronicles of England,
Scotland and Wales.

An Oxford based team comprising myself (History, Oxford), Dr
Felicity Heal (History, Oxford), Dr Paulina Kewes (English,
Oxford), and Dr Henry Summerson (The Oxford Holinshed Project
Research Assistant) has been working on a parallel text
electronic edition of Holinshed’s Chronicles. The Chronicles are
best known as the source text for many of Shakespeare’s plays,
but they were a gold mine for other dramatists and poets, and for
lawyers, politicians, and general readers. We’ve been aware for a
long time of the existence of differences between the two
editions of 1577 and 1587, but systematic analysis has proved
elusive because of the sheer volume of the texts. What we offer
is a means of reading the two editions alongside each other, a
privilege hitherto only available to those in particularly well
endowed libraries. Users with access to EEBO will be able to move
from our edition to the EBO hosted facsimiles of the pages.

The edition would have been impossible without the co-operation
of EEBO-TCP who undertook the keying of the 1577 edition (in
addition to the 1587 edition already on their site), as well as
granting us permission to make use of the two texts in our
version.

We have also benefited from the assistance of the Research
Services Team at Oxford University Computing Services who
developed the TEI Comparator Tool, enabling comparison between
the two texts. We think that this tool may be of use to other
projects. See the link to James Cummings’ blog below.

The resource is freely available, and has been funded by Oxford
University’s Fell Fund.

To access the texts go to:

http://www.english.ox.ac.uk/holinshed/

But you can get there from the project website:

http://www.cems.ox.ac.uk/holinshed/

I send you there simply to alert you to the amount of additional
content, including a comprehensive analysis of the sources behind
the Chronicles undertaken by Henry Summerson.

http://www.cems.ox.ac.uk/holinshed/chronicles.shtml

There is also a comprehensive Holinshed bibliography, and a
number of working papers.

To read James Cummings’ blog and to find out more about the TEI
Comparator Tool, go to:

http://blogs.oucs.ox.ac.uk/jamesc/2009/09/04/tei-comparator/

The parallel text edition is one of several outputs envisaged by
the Oxford Holinshed Project. We have commsioned forty essays
which will be published by OUP as The Oxford Handbook to
Holinshed’s Chronicles in 2011. We also hope to receive funding
to enhance the electronic edition with scholarly annotation.

All best wishes,

Ian W. Archer


Ian W. Archer, Keble College, Oxford, OX1 3PG
Acting Warden, Keble College
Fellow and Tutor in Modern History
General Editor, Royal Historical Society Bibliography on British
History
Literary Director, Royal Historical Society
Website addresses
Personal webpage:
http://www.keble.ox.ac.uk/academics/about/dr-ian-archer
RHS Bibliography:
http://www.rhs.ac.uk/bibl/
Royal Historical Society:
http://royalhistoricalsociety.org
The Holinshed Project:
http://www.cems.ox.ac.uk/holinshed/
Keble Past and Present:
http://www.tmiltd.com/shop/home/pId/66