III National day for multidisciplinary study of illustrated manuscripts

In the days June 10-11th 2010 at the Fondazione Museo del Tesoro del Duomo e Archivio Capitolare and the Faculty of Arts of the University of Eastern Piedmont in Vercelli (Piedmont) a workshop will be organised with the title Codici miniati: incontro tra arte e scienza. Gli Scriptoria altomedievali (Illuminated manuscripts: meeting among art and science. The early Medieval scriptoria). This initiative is the III edition of the  National day for the multidisciplinary study of illuminated manuscripts; the two previous editions were held in Parma – Biblioteca Palatina and in Modena – Faculty of Arts. The aim of these workshops is to look for a meeting point among activities of scholars from the humanistic side (art historians, palaeographers, linguists) and researchers from the scientific side (chemists, physicians) with reference to the analysis of illuminated manuscripts. These two research fields are at present fairly distant but could find several points of contact, increasing in this way knowledge and  usability of masterpieces such as illuminated manuscripts.

Due to success and interest given by the two previous editions, which were organised as local events, we thought to give an international dimension to the third edition by adding the presence of foreign speakers choosen among experts from both sides. The opportunity to host part of the workshop inside the Biblioteca Capitolare at Vercelli, a site deputed to the conservation and valorisation of a codicological heritage highly relevant at national and international level, and to have the possibility to have a direct look to manuscripts themselves in such an historical framework, imparts an added value to the event.

The argument of the workshop concerns with the Italian early Medieval scriptoria. Italian scholars, highly trained in their respective fields of research, will present scientific and historical-artistic studies concerning illuminated manuscripts from the main Italian scriptoria in the period IV-X century (Nonantola, Bobbio, Vercelli, etc.). It will be an important occasion to discuss about aspects of common interest.

Foreign speakers will bring a highly relevant contribution by presenting studies on early medieval manuscripts from foreign scriptoria, mainly from France and British Isles. The speakers are researchers working at foreign Universities (University of Amsterdam, Kiel, London) or at museums of  great international prestige (British Library at London, Trinity College Library at Dublino, Victoria & Albert Museum at London). Their competence will then be particularly welcome, making it possible to start collaboration on common projects.

The workshop will be organised on two days, June 10th and 11th 2010. The first day, scheduled at the Fondazione Museo del Tesoro del Duomo e Archivio Capitolare inside the Sala del Trono of the Palazzo Arcivescovile at Vercelli, will be devoted to some oral contributions, after whom a guided visit will be proposed to the manuscripts held in the Biblioteca Capitolare. The second day, organised at the Faculty of Arts of the University of Eastern Piedmont – Ala Conventuale of the Sant’Andrea Abbey, will include oral contributions in the morning, a poster session after lunch break and again oral contributions. Publication of a proceedings volume will be realised, as in the previous editions; in this case publication will be either on paper and in online format, spreading information about it on this web site (http://www.arc.unito.it/index.php?lang=en).

Organisation is due to the following committees:
Scientific committee:

* Dott. Maurizio Aceto (Università degli Studi del Piemonte Orientale)
* Prof. Pietro Baraldi (Università degli Studi di Modena e Reggio Emilia)
* Dott. Danilo Bersani (Università degli Studi di Parma)
* Prof.ssa Giusi Zanichelli (Università degli Studi di Salerno)

Organising committee:

* Dott. Maurizio Aceto (Università degli Studi del Piemonte Orientale)
* Dott. Angelo Agostino (Università degli Studi di Torino)
* Dott.ssa Anna Cerutti Garlanda (Coordinatrice dei Comitati Scientifici presso la Fondazione Museo del Tesoro del Duomo e Archivio Capitolare)
* Dott. Timoty Leonardi (Conservatore Manoscritti e Rari presso la Fondazione Museo del Tesoro del Duomo e Archivio Capitolare)
* Prof. Saverio Lomartire (Università degli Studi del Piemonte Orientale)

For any information please contact:

Dott. Maurizio Aceto
Dipartimento di Scienze dell’Ambiente e della Vita
Università del Piemonte Orientale
Viale Teresa Michel, 11
15100 – Alessandria
phone  +39 0131 360265
print +39 0131 260250
mail maurizio.aceto@mfn.unipmn.it

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

CFP: ESTS conference (Pisa-Florence), extended deadline to 11 June

Dear everyone

We have received a pleasing number of proposals for the ESTS conference in Pisa/Florence November 25-2, this year.  However, we still have spaces for a few more proposals, preferably on the conference theme of ‘Texts worth editing’.  Possible participants should note that the conference is excellent value: we keep the registration fee low (likely only €50), accommodation in Pisa is plentiful and cheap, even without the special deal we have arranged.

The call text is:

All text editing begins with a choice: what text to edit.  How do we choose the text we edit? Are all texts worth editing, simply because they are texts? Even once we have chosen what we are to edit, further choices lie ahead of us.  If a text exists in many versions, and in many documents: are all versions, and all documents, equally worthy of editing?  If we choose to focus on a particular version, or a particular document, how do we make this choice, and how do we justify it to others?  Once we have made these decisions: choices of method will also be affected by perceptions of value.  Should we publish the full text of a particular version or document; or publish its variants only, in an apparatus? and if we choose to publish variants only: what are our criteria to determine which variants are worth publishing?
The programme chairs invite the submission of full panels or individual papers devoted to the discussion of current research into the different aspects of textual work, preferably focusing on the topics mentioned above. Proposals and abstracts (250 words) should be submitted electronically to: Peter Robinson,  p.m.robinson@bham.ac.uk, by 11 June 2010.

The full call is at http://www.textualscholarship.eu/conference-2010.html.
Proposals should be emailed to me (not to the list, please!)

best wishes
Peter

Peter Robinson
Institute for Textual Scholarship and Electronic Editing
Elmfield House, Selly Oak  Campus
University of Birmingham
Edgbaston B29 6LG
P.M.Robinson@bham.ac.uk
p. +44 (0)121 4158441, f. +44 (0) 121 415 8376
www.itsee.bham.ac.uk

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

Balisage 2010 Program Announced

Rockville, Maryland.  The organizing committee has released the program for “Balisage 2010: The Markup Conference” to be held in Montreal from 3 to 6 August, 2010.

“Balisage: The Markup Conference” (http://www.balisage.net/) is an annual peer-reviewed XML conference: how to create markup; what it means; hierarchies and overlap; modeling; taxonomies; transformation; query, searching, and retrieval; presentation and accessibility; making systems that make markup dance (or dance faster to a different tune in a smaller space).

Come to lovely Montreal, Canada from August 3rd to 6th for four action-packed days of angle brackets! Here’s a baker dozen (or so) sampling from the much larger list of Balisage 2010 presentations:

  • gXML, a new approach to cultivating XML trees in Java
  • Java integration of XQuery – an information unit oriented approach
  • Reverse modeling for domain-driven engineering of publishing technology
  • Managing semantics in XML vocabularies
  • XML pipeline processing in the browser
  • Where XForms meets the glass: Bridging between data and interaction design
  • Schema component paths for schema analysis
  • A streaming XSLT processor
  • Multi-structured documents and the emergence of annotations vocabularies
  • Processing arbitrarily large XML using a persistent DOM
  • Automatic upconversion using XProc
  • Scripting documents with XQuery
  • XQuery design patterns
  • Parallel processing and your XML data

Schedule At-a-Glance: http://www.balisage.net/2010/At-A-Glance.html.

Detailed schedule with descriptions: http://www.balisage.net/2010/Program.html.

Pre-conference symposium: XML for the Long Haul: Issues in the Long-term Preservation of XML http://www.balisage.net/longhaul/index.html.

Tower of Modern Babel Contest – Chance to win an Apple 15″ (i5)
MacBook Pro, Apple MacBook Air, or USD $2000: http://www.balisage.net/contest.html.

Posted by: Roberto Rosselli Del Turco (rosselli at ling dot unipi dot it)

ESU “Culture & Technology”, 26 – 30 July 2010 University of Leipzig

ESU “Culture & Technology”, 26 – 30 July 2010
University of Leipzig – http://www.culingtec.uni-leipzig.de/ESU/

We are happy to announce that registration for the European Summer School, Culture & Technology, is now open. Supported by the Association for Literary and Linguistic Computing the Summer School will take place at Leipzig University, Germany, from the 26th to the 30th of July.

The Summer School is directed at an international audience. Students in their final year, graduates, postgraduates, doctoral students, and postdocs from the Humanities, Engineering or Computer Sciences from all over Europe, as well as academics, librarians and technical assistants who are involved in the theoretical, experimental or practical application of computational methods in the various areas of the Humanities, in libraries or archives, or wish to do so are its target audience. School teachers who plan to carry out technology-based projects with their students and want to discuss them in a wider context are welcome as well.

The Summer School seeks to offer a space for the discussion and acquisition of new knowledge, skills and competences in those computer technologies which play a central role in Humanities Computing and which determine every day more and more the work done in the Humanities and Cultural Sciences, as well as in Libraries and Archives everywhere. The Summer School aims at integrating these activities into the broader context of the Digital Humanities, where questions about the consequences and implications of the application of computational methods and tools to cultural artefacts of all kinds are asked. The Summer School plans to show-case possible realisations of such questions via the presentation of concrete projects.

The Summer School will offer Humanities students in particular the possibility to gain practical knowledge of the application of computational methods to the digitalisation, description, analysis and production of humanities contents and artefacts (languages, texts, images, etc.), to discuss related theoretical questions and to forge new perspectives on the study and preservation of languages, cultures and cultural memory and the translation between cultures.

Computer and Engineering Sciences students, for their part, will be given the opportunity at the Summer School to acquire insights into the nature of humanities data, to get to know the areas in the Arts and Humanities in which computational methods are employed, to learn to recognise the difference of the Humanities approach to these methods and to confront themselves with the challenges that work with diffuse and extremely complex data presents for soft- and hardware solutions.

The Summer School takes place across a whole week. The intensive programme consists of workshops, lectures and project presentations. The Summer School will close with a round table discussion focusing on the necessity, structure and contents of curricula for Digital Humanities und e-Humanities.

The following workshops will be offered:

* Introduction into the Creation of a Digital Edition
* From Document Engineering to Scholarly Web Projects
* Methods in Textual Analysis
* XML and the Modelling of Knowledge Contained in Historical Sources
* Image-based Digital Editing of Text-bearing Objects

Each workshop consists of a total of 15 sessions or 30 week-hours. The number of participants in each workshop is limited to 15. Information on how to apply for a place in one of the workshops can be found at: http://www.culingtec.uni-leipzig.de/ESU/

Preference will be given to young scholars of the Humanities who are planning, or are already involved with, a technology-based research project and describe this project in a qualified way.

Young scholars of Engineering and Computer Sciences are expected to describe their specialities and interests in such a way that also non specialists can follow and that they support their expectations from the summer school with good arguments.

If more funding can be secured fees will be reduced and a bursary scheme will be put into place.

For important dates and other relevant information please consult the multilingual Web-Portal of the European Summer School Culture & Technology: http://www.culingtec.uni-leipzig.de/ESU/.

Univ.-Prof’in Dr. phil. habil. Elisabeth BurrFranzische / frankophone und italienische Sprachwissenschaft Institut f Romanistik
Philologische Fakult
Universit Leipzig
Haus 1 / 3. Etage, Zi. 1307
Beethovenstr. 15
D-04107 Leipzig
Tel. +49 (0)341 97 37413/37411
http://www.culingtec.uni-leipzig.de/ESU/
http://www.uni-leipzig.de/gal2010
http://www.uni-leipzig.de/~burr/JISU/
elisabeth.burr@uni-leipzig.de

Posted by: Dot Porter (dot.porter@gmail.com).

ESF-COST Conference on ‘Networked Humanities: Art History in the Web’

Call for applications/papers

ESF-COST Conference on
Networked Humanities: Art History in the Web
Acquafredda di Maratea, Italy, 9-14 October 2010
http://www.esf.org/conferences/10342

Chair: Hubertus Kohle – Ludwig Maximilian University of Munich, Deutsches Historisches Institut, DE
Programme Committee: Claudine Moulin – Trier University, DE & Lea Rojola – University of Turku, FI

Since the earliest times, new technologies have contributed to profound scientific advances and have transformed the ways we can do research. It is claimed today that the World Wide Web offers revolutionary models of scientific cooperation, which promise to
instantiate a utopian democracy of knowledge. This claim has repeatedly been associated with the development and introduction of a collaborative Web, commonly referred to as Web 2.0 as well as its offspring, a semantically enriched Web 3.0 still in the making The aim of this conference is to bring together art historians and other researchers (including digital humanists) in order to investigate the intersection between the web and collaborative research processes, via an examination of electronic media-based cooperative models in the history of art and beyond.
The conference will not only be an occasion to exchange ideas and present relevant projects in the field,
but, with contributions spanning from art history (and digital art) to philosophy and cultural studies,
from psychology and sociology of knowledge to computer graphics, from semiotics to curatorial practices
it will offer a unique forum for the representation of both diversified and complementary approaches to the topic of Networked humanities.

Conference format:
* lectures by invited high level speakers
* short talks by young & early stage researchers
* poster sessions, round table and open discussion periods
* forward look panel discussion about future developments

Invited Speakers will include:
* Patrick Danowski, CERN Geneva, CH
* Matteo d’Alfonso, Universitdi Bologna, IT
* Francesca Gallo, University of Rome La Sapienza, IT
* Charlie Gere, University of Lancaster, UK
* Gudrun Gersmann, German Historical Institute Paris, FR
* Guenther Goerz, University of Erlangen, Institute of Computer Science, DE * Halina Gottlieb, Interactive Institute, Kista, SE
* Gerhard Nauta, University of Leiden, NL
* Robert Stein, Indianapolis Museum of Arts, US
(List to be completed)

A good number of grants are available for young researchers to cover the conference fee and possibly part of the travel costs. Grant requests should be made by ticking appropriate field(s)
in the paragraph Grant application of the application form (http://www2.esf.org/asp/esfrcaf.asp?confcode=342&meetno=1).

Full conference programme and application form are accessible online from http://www.esf.org/conferences/10342.

ESF-COST Contact for further information: Zuzana Vercinska – Zuzana.Vercinska@cost.eu

Closing date for applications: 18 July 2010

This conference is organised by the European Science Foundation (ESF) in partnership with COST European Cooperation in Science and Technology.

Posted by: Corinne Wininger (clemoal@esf.org).